MY heart broke when I learned that the venerable Eraserheads band broke up in 2002. The same heartbreak I felt when former lead vocalist Ely Buendia quit midway of their reunion concert Saturday night because of exhaustion and possibly a weakening heart.
The E-heads dominated my teenage years, especially my high school years. While we belonged to the DOST’s special science and math class (which is expected to be filled with nerds), our batch went gaga over the popular 90s band.
The Eraserheads was formed by Ely Buendia, Raimund Marasigan, Buddy Zabala and Marcus Adoro. The band is one of the most successful, critically-acclaimed, and significant bands in the history of Original Pinoy Music, earning them the accolade, “The Beatles of the Philippines.”
The Eraserheads are also credited for spearheading a second wave of Manila band invasions, paving the way for a host of Philippine alternative rock bands such as Rivermaya, The Youth, Teeth, Parokya ni Edgar and Yano. But it is most likely that the other bands would say that they rose at the same time as the E-heads.
The band released several singles, albums, and EPs that reached number one. This commercial success was most evident in the release of their third album Cutterpillow, which achieved platinum status several times. The Eraserheads are one the best-selling musical acts of all time in the Philippines, paving way for an international career that earned them the “Moon Man” in the MTV Video Music Awards.
Their diverse music worked both in the underground and mainstream scenes of the Philippine music industry. By fusing different musical styles such as alternative, pop, rock, reggae, and synthpop the Eraserheads helped change the sound of Pinoy rock.
Much of the E-heads song spoke on teenage life, relationship, poverty and even homosexuality.
In July 1992, the Eraserheads started recording their debut album called Ultraelectromagneticpop!. The album featured “Pare Ko”, “Toyang” and “Tindahan Ni Aling Nena”, all of which were also present in Pop-U!. The album also featured a sanitized version of “Pare Ko” called “Walang Hiyang Pare Ko”. Later in the same year, BMG initially released 5,000 copies of the album. The album became a smash, with the songs “Ligaya”, “Pare Ko” and “Toyang” topping the charts, that, by the end of the year, BMG sold 300,000 copies, and Ultraelectromagneticpop! turned sextuple platinum.
The album met some opposition as the Philippine Association of the Record Industry (PARI) attempted to censor “Pare Ko” but without success. The public was said to have found its OPM Fab Four in the Eraserheads, opening the second wave of band invasion. The Eraserheadsmania was born.
In October 1994, the Eraserheads came up with a follow-up album entitled Circus. The band said that the album aptly described their life since their smashing debut. The album was unpredictable and unconventional compared to the OPM ballads at that time, and established the band members as good songwriters and musicians. The songs varied in style and mood, ranging from euphoric and hilarious to tender and somber.
Five of the songs became successive hits: “Kailan”, “Magasin”, “Alapaap”, “With A Smile” and “Sembreak”. Circus turned gold in just 30 days with 20,000 copies sold. Eventually, it turned quintuple platinum with 200,000 copies sold. But like Ultraelectromagneticpop!, it too had its share of controversy. In August 1995, Senator Tito Sotto, who was involved in an anti-drug campaign at that time, called for a ban on the airplay and sales of “Alapaap” over an alleged promotion of drug abuse in the lyrics of the song. In response, the Eraserheads denied the allegation, saying that the it was just a misinterpretation, and that the song was the band’s “ode to freedom”, not an “ode to drug abuse”.
Yes, the E-heads and their songs symbolized the youth’s freedom express their thoughts and feelings on various issues besetting their lives. The young relished this freedom etched in every lyric of the E-heads songs to the point that they were misunderstood as living in another world induced by drugs, booze and even sex.
I don’t care how the older generations interpreted the E-heads because we felt that they were indeed the Beatles of the Philippines, particularly in the 90s era. Heck, our elders also experienced the same fanaticism.
When the British rock and roll band took the world by storm, every Beatle fan sported the “mop head” look.
We also did the same by imitating the way the E-heads crooned and dressed. My hair is wavy, similar to Buendia’s crinkled locks. Even if it was unwieldy to maintain the Ely “do”, we sported the cut because we felt united with the group.
There were five of us in our high school section who were actually addicted to the E-heads that we would bring guitars and makeshift drum seats then play to our hearts desire.
Just like other fanatics, we collected “song hits” (actually, these are thin song mags one can buy in newsstands), posters and albums.
I even have autograph cassette tape of their Natin 99 album and poster. I had to line up at SM City just to rub elbows with them and get their signatures. Hopefully, the stuff are still there to serve as lasting memento of my younger years.
But just like other bands, the E-heads ran into a shoal of controversies and adversities.
After weeks of speculation, it was confirmed that the main songwriter and lead singer, Ely Buendia, had left the band in mid-March 2002 for “reasons unknown”. However, in subsequent interviews, Buendia pointed to business matters as the cause of the band’s break-up.
In a PULP Magazine interview, Buendia’s wife and manager, Diane Ventura, claimed that the breakup started with a miscommunication between Buendia and the band’s roadie, the result being that Buendia and Ventura turned up late at a mall gig. This upset the roadie who snidely referred to the couple as “unprofessional”. Buendia’s band colleagues and crew at the gig gave Buendia “a cold shoulder”, related Ventura, being under the impression that Buendia had come late deliberately.
The next day, Buendia brought the incident to the attention of the band’s management boss, Butch Dans, to which he allegedly reverted the blame to the roadie’s “unprofessionalism”. Dans, however, allegedly chose to consider the roadie’s account over Buendia’s without much deliberation. Dans allegedly quipped that Buendia and Ventura were “probably too high on drugs” to remember the gig’s schedule.
Ventura stepped in to dispute the allegation and vehemently denied that she and Buendia were even told of the schedule. Unfortunately, the other three Eraserheads also believed the roadie’s story, which disturbed Buendia because he felt betrayed of their longstanding friendship. Buendia later announced to his mates through SMS that he was quitting the group.
In another interview, Marasigan said he was eating in SM Megamall, a local shopping mall, when he heard of the news (how he heard of it, was not clear). He said he was “semi-surprised” and wondered if Zabala already knew about it. Adoro told of the story now famous among Eraserheads fans about Buendia’s cryptic text message. He said Buendia stated in the text message that he had already “graduated.” Adoro quipped in the same interview that it was natural for Buendia to graduate first, since he was in batch ’87 of their college (UP Diliman), while the rest were in batch ’88.
Zabala confessed in an interview that disbanding had not been that far away from the members’ minds. He said that there were many occasions wherein they could have disbanded but did not.
Adoro expressed the belief of some people that the band was getting too old, and that it was “selfish” for the band to continue, likely referring to comments about how it’s time for other bands, besides the Eraserheads, to shine. The band made it clear, though, that Buendia’s departure from the band wasn’t in any way violent and that there was no shouting (sigawan) or any confrontation involved.
Without relenting, the three remaining Eraserheads decided to continue. Within a few weeks, the “new” Eheads debuted at Hard Rock Cafe in Makati City on April 19, featuring a female singer-guitarist, Kris Gorra-Dancel, from the band, Fatal Posporos. However, after a few months, Adoro had quit the band as well. The remaining members of the Eheads added Diego Mapa and Ebe Dancel to their lineup and renamed their band, “Cambio.”
Their reunion concert ended in a hangup for most fans because of the stress Buendia suffered when his mother died recently. Or maybe because he also felt the pains of the band’s breakup.
Whatever the is the real story behind the E-heads’ breakup, our generation is thankful for Ely Buendia, Raimund Marasigan, Buddy Zabala and Marcus Adoro for being an influential part of our young lives. (With information from Wikipedia)